And the award for Best Picture goes to ...
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| BlueTorch's Rating | My Rating | ||
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| 1 |
No Country for Old Men (2007, R) |
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| 2 |
The Departed (2006, R)
I hate myself a little bit for not loving this. I think if I hadn't watched Infernal Affairs I could appreciate this film a lot more. Alas, this is a pretty faithful remake, meaning I could compare every scene in the departed to a scene in Infernal Affairs, and IA just flat out wins. I can appreciate the high quality acting, the dialogue, and Vera Farmiga's character was the one big improvement over the original. Unfortunately, I can't recommend the departed to anybody because IA is just a better film, which makes it redundant in my eyes. Plus they added more to the ending, and I hated what they added. Wheeeee! |
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| 3 |
Crash (2004, R) |
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| 4 |
Million Dollar Baby (2004, PG-13) |
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| 5 |
The Lord of the Rings - The Return of the King (2003, PG-13)
Well, the final book was the worst one, and so follows the movie. The big battle was the epitomy of an anticlimax. Or was that the epilogue that went on for 40 minutes? I know the source material for the final book didn't exactly give them much to work with, but I can hardly give it a pass due to that. |
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| 6 |
Chicago (2002, PG-13) |
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| 7 |
A Beautiful Mind (2001, PG-13) |
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| 8 |
Gladiator (2000, R) |
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| 9 |
American Beauty (1999, R) |
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| 10 |
Shakespeare in Love (1998, R) |
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| 11 |
Titanic (1997, PG-13) |
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| 12 |
The English Patient (1996, R) |
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| 13 |
Braveheart (1995, R) |
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| 14 |
Forrest Gump (1994, PG-13) |
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| 15 |
Schindler's List (1993, R) |
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| 16 |
Unforgiven (1992, R) |
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| 17 |
The Silence of the Lambs (1991, R) |
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| 18 |
Dances With Wolves (1990, PG-13) |
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| 19 |
Driving Miss Daisy (1989, PG) |
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| 20 |
The Last Emperor (1987, PG-13) |
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| 21 |
Platoon (1986, R) |
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| 22 |
Out of Africa (1985, PG) |
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| 23 |
Amadeus (1984, R) |
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| 24 |
Terms of Endearment (1983, PG) |
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| 25 |
Gandhi (1982, PG) |
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| 26 |
Chariots of Fire (1981, PG) |
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| 27 |
Ordinary People (1980, R) |
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| 28 |
Kramer vs. Kramer (1979, PG)
This is film at its absolute best. Dustin Hoffman finally wins the Oscar not for playing a truly unique roll, for which he is famously known. Instead, he plays a single father, with this role suddenly thrust on him at the film's onset; but plays it to such perfection that I barely registered that I was watching one of the greatest actors in film history. Interesting to note that most of the key scene (ice cream, courtroom testimony, etc) were either ad-libbed or reworked. Won the Academy Award for Best Picture for 1979 and deservedly so; you are cheating yourself of a truly moving and unforgettable film experience if you haven't watched Kramer vs. Kramer. |
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| 29 |
The Deer Hunter (1978, R) |
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| 30 |
Annie Hall (1977, PG) |
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| 31 |
Rocky (1976, PG) |
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| 32 |
One Flew over the Cuckoo's Nest (1975, R) |
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| 33 |
The Godfather, Part II (1974, R) |
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| 34 |
The Sting (1973, PG) |
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| 35 |
The Godfather (1972, R) |
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| 36 |
The French Connection (1971, R) |
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| 37 |
Patton (1970, PG) |
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| 38 |
Midnight Cowboy (1969, R) |
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| 39 |
Oliver! (1968, G) |
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| 40 |
In the Heat of the Night (1967, Unrated) |
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| 41 |
A Man for All Seasons (1966, G) |
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| 42 |
The Sound of Music (1965, G) |
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| 43 |
My Fair Lady (1964, G) |
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| 44 |
Tom Jones (1963, Unrated) |
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| 45 |
Lawrence of Arabia (1962, PG) |
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| 46 |
West Side Story (1961, Unrated) |
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| 47 |
The Apartment (1960, Unrated) |
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| 48 |
Ben-Hur (1959, G) |
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| 49 |
Gigi (1958, G) |
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| 50 |
The Bridge on the River Kwai (1957, PG) |
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| 51 |
Around the World in 80 Days (1956, Unrated) |
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| 52 |
Marty (1955, Unrated) |
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| 53 |
On the Waterfront (1954, Unrated) |
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| 54 |
From Here to Eternity (1953, Unrated) |


